When I think about Sutcliffe Jugend of ten years ago, I think about chaotic guitar noise and distorted vocals, while if I think about the ones of the early 80s, I think about feedback and power noise. So, what about their sound of the latest years? Well, lately, their sound changed: they balanced the elements in a different way by using less distortions for the vocals, they combined different noise/sound sources together and they also changed the intensity of their sound on some tracks (check “Seedless” on their 2012 album “Blue Rabbit”, for example), just to be able to have a wider palette of possibilities. On their latest album, titled “Shame” and released by Hagshadow, we have five new tracks that confirm the new path taken by Kevin Tomkins and Paul Taylor. I already listened to the opening track titled “Shame”, because they played it on their concert at the latest W.G.T. festival in Leipzig at the beginning of this month and even if on the CD you lose a bit of the tension they create on stage, it sounds good and powerful. This track confirms what I wrote at the beginning of the review, as we have a melodic part played with a distorted bass guitar with the add of more guitar layers which create a fluctuating wave of sound. On this, Kevin is shouting his vocals about the worst human’s behaviors, mostly concerning sex. On “Sledge” you can feel the tension but it’s not a noise track, it has different layers of treated vocals with a clean one upfront while on the background we have a dissonant hammering of a which I think it could be a treated piano, which rhythmically repeats few notes. On “Hurts” we have noise tides which duet with a clarinet (or it’s a feedback which is sounding like that). You don’t know what to expect when the next tide it will arrive and this is a more effective way to create tension. “Bait” plays with guitar noise loops while Kevin shouts about survival. The closing track “Blood”, is a long dreamy noise tune which is working as decompression room creating a dazing effect. I prefer this latest version of Sutcliffe Jugend, as they keep their sound more open to possibilities and I think that at this point of noise music, it’s working better than an “in your face” formula. Well done!